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Who will bandage the grieving. Who will sit with them when the video is shown for the 50th time, On the first anniversary, the second, the third….
The Journal of Hip Hop Studies (JHHS) recognizes that Hip Hop is a trans-global phenomenon reaching parts of the world where many forms of media are banned. Hip Hop’s ability to morph and be utilized by communities around the globe point to the very question, what is Hip Hop? Hip Hop scholars unanimously agree that...
For this special issue, the editors seek submissions that examine how God, religion, and spirituality have been discussed by Hip Hop artists and to think expansively about how Hip Hop has historically and contemporaneously emphasized the experiences, opportunities and realities of marginalized communities within these complimentary, contradictory, and at times, mutually-supportive contexts.
“Lemonade” reminds black women that even if their own religious traditions fail to “see” them, they are still reflected in the divine.
Jamye Wooten speaks with J.Kwest at the 2016 Samuel DeWitt Proctor Conference. J.Kwest talks about his newly released album, Lemonade.
Dr. Turman is the author of "Toward a Womanist Ethic of Incarnation: Black Bodies, the Black Church and the Council of Chalcedon"
Kelly Brown Douglas examines the myths and narratives underlying a “stand-your-ground” culture, taking seriously the social as well as the theological questions raised by this and similar events, from Ferguson, Missouri to Staten Island, New York. - Union Theological Seminary
Rev. Dr. Otis Moss III from Trinity United Church of Christ in Chicago speaks at the Christian Theological Seminary.
Presented by Fresno State's Africana Studies Program and the Black Popular Culture Lecture Series and Online Research
Left of Black host and Duke University Professor Mark Anthony Neal (@NewBlackMan) is joined in-studio by Alisha Lola Jones (@Move_And_Shake), Assistant Professor of Ethnomusicology at Indiana University. Jones and Neal discuss her research on Gospel Music and the performances of Black Masculinity, the career of Anthony Clark Williams II (B.Slade/Tonex), and her Top-5 of Gospel #turnups.
